In 2015, J. I. Agnew started developing a high-end cutting amplifier for disk mastering systems, to be used with motional feedback stereophonic cutter heads. During this process, he investigated the design and implementation problems of such transducers in great detail. As usual, he documented his progress, which evolved into an engineering report, titled “An Investigation of Motional Feedback Disk Recording System Design”, which was accepted for publication in the November 2018 issue of the Journal of the Audio Engineering Society, following the customary peer review process.
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This beauty is a fully restored and extensively modified, vintage Scully lathe, operated by Eric Conn at Independent Mastering, in Nashville, TN.
It started life in the 1940’s as a completely manual machine. A sturdy design, capable of very decent results, these lathes were extensively used across the USA and other parts of the world for several decades. Many are still in operation today. In the original condition, they were quite limited in what they could do. But, as with most good lathes, they can take a lot of modification and improvement.
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The AM44 is a Neumann-based lathe, built on original Neumann castings, manufactured around 1944, during the second world war.
The project was founded by Flo Kaufmann, in Switzerland, when he managed to find a pile of these rare beds in the unexplored depth of a warehouse. The plan is to build them up into fully functional disk mastering systems, using newly designed and manufactured parts.
In 2016, Sabine and J. I. Agnew acquired one of these beds, built up and further developed it, into an exceptional quality disk mastering system, which was put to professional service at Magnetic Fidelity.
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By J. I. Agnew
One might think that the whole issue of absolute polarity for a medium essentially invented around 130 years ago, would have been adequately discussed and standardised by now, leaving no room for further debates. Indeed, it has been, so why bother writing anything further on this topic?
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