This beauty is a fully restored and extensively modified, vintage Scully lathe, operated by Eric Conn at Independent Mastering, in Nashville, TN.
It started life in the 1940’s as a completely manual machine. A sturdy design, capable of very decent results, these lathes were extensively used across the USA and other parts of the world for several decades. Many are still in operation today. In the original condition, they were quite limited in what they could do. But, as with most good lathes, they can take a lot of modification and improvement.
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Meet George Vardis, a retired biologist with a Master’s Degree in Food Technology, residing in Athens, Greece. George is a sophisticated man with many interests, including sailing, photography, motorbikes, and music. He plays the piano and the guitar, but his career always steered well clear of the music industry. He was never a recording artist, nor was he a recording engineer. In fact, he has probably never seen a recording studio in real life.
Continue reading “Critical listening at home: Audiophile High Fidelity Sound Reproducing Systems and the Recording Industry”
The AM44 is a Neumann-based lathe, built on original Neumann castings, manufactured around 1944, during the second world war.
The project was founded by Flo Kaufmann, in Switzerland, when he managed to find a pile of these rare beds in the unexplored depth of a warehouse. The plan is to build them up into fully functional disk mastering systems, using newly designed and manufactured parts.
In 2016, Sabine and J. I. Agnew acquired one of these beds, built up and further developed it, into an exceptional quality disk mastering system, which was put to professional service at Magnetic Fidelity.
Continue reading “The AM44 Disk Mastering Lathe Project”
John Delias, the guitar wizard of the popular rock group “Naxatras”, filmed J. I. Agnew while cutting the master lacquer disks, from which the vinyl records of their debut LP were manufactured, at Magnetic Fidelity, and edited the footage to produce this short informative video, offering an insight into this seldom seen, mysterious process.
Continue reading “Cutting Master Lacquer Disks for the Naxatras debut LP on the AM44 system, directly from analog tape”
By J. I. Agnew
One might think that the whole issue of absolute polarity for a medium essentially invented around 130 years ago, would have been adequately discussed and standardised by now, leaving no room for further debates. Indeed, it has been, so why bother writing anything further on this topic?
Continue reading “Absolute Polarity for Disk Records”