Meet George Vardis, a retired biologist with a Master's Degree in Food Technology, residing in Athens, Greece. George is a sophisticated man with many interests, including sailing, photography, motorbikes, and music. He plays the piano and the guitar, but his career always steered well clear of the music industry. He was never a recording artist, nor was he a recording engineer. In fact, he has probably never seen a recording studio in real life.
One might think that the whole issue of absolute polarity for a medium essentially invented around 130 years ago, would have been adequately discussed and standardised by now, leaving no room for further debates. Indeed, it has been, so why bother writing anything further on this topic?
The Tape story
Following the publication of my recent article, titled "Absolute Polarity for Disk Records" , I received encouraging feedback and requests for further information. Record enthusiasts often wonder about the dark secrets of the record production and manufacturing process, while professional mastering engineers are (or at least should be) striving to keep all their equipment in perfect working order, according to international standards. Their common goal is the best possible transfer of the sound from the performance space to the listening room. Magnetic tape is experiencing an impressive rise in popularity as a consumer medium in audiophile circles, with more albums becoming available in reels of 1/4" tape.