Presenting a custom record centering accessory, intended as a very quick and simple way of centering vinyl records with oversize center holes.
This compact and lightweight accessory is simply placed on the center spindle of your turntable over the record and twisted, positioning the sharp edge between the spindle and record hole, taking up any excessive clearance.
Some time ago we were asked to repair a vintage Westrex 2B feedback cutter head.
As with all Western Electric and Westrex products, their cutter heads were beautifully made and represented the state of the art in their time. Not only did they sound great, they also looked aesthetically pleasing, with curved lines that were not a trivial task to manufacture, in the days before CNC machine tools, CAD software and pocket calculators!
The Agnew Analog Reference Instrument Type 192 is a minimalist, industrial-grade stylus heater supply unit, designed and built to last forever.
It is a current-regulated design, set at the factory for 550 mA, in an ultra-ruggedized configuration, for maximum reliability in constant-duty environments, when downtime is not an option.
In the darkest corner of the catacombs under the lab, illuminated only by glowing directly-heated triode filaments, top secret experimental research is being conducted…
A simple yet effective movement which has seen many decades of regular use, appears under the lid of this dial indicator.
It was once able to indicate accurately in 0.01 mm graduations, through a gear train driven by a rack on one side of the spindle.
Happy new year! Time to reveal what has been secretly developing in the lab throughout the past year: A stereophonic cutter head of an entirely unique design, invented by J. I. Agnew during his work with experimental transducers for measurement and testing purposes.
Meet George Vardis, a retired biologist with a Master's Degree in Food Technology, residing in Athens, Greece. George is a sophisticated man with many interests, including sailing, photography, motorbikes, and music. He plays the piano and the guitar, but his career always steered well clear of the music industry. He was never a recording artist, nor was he a recording engineer. In fact, he has probably never seen a recording studio in real life.
Back in 2015, we started a big lathe project, taking a beat-up Fairchild lathe from the 1930's, fitting it with an RCA cutter head, and eventually going full-on with a stereophonic feedback cutter head, vacuum clamp-down platter and automatically variable pitch.