Presenting a custom record centering accessory, intended as a very quick and simple way of centering vinyl records with oversize center holes.
This compact and lightweight accessory is simply placed on the center spindle of your turntable over the record and twisted, positioning the sharp edge between the spindle and record hole, taking up any excessive clearance.
Repairing an SA-74 suspension unit, from a Neumann VMS-70 disk mastering lathe, which arrived with the head lift/drop lever jammed in the down position, preventing the top lid from being removed! The Neumann SX-74 stereophonic motional feedback cutter head was still attached, as it had been glued to the mount adapter, which can only be removed from the suspension unit by opening the top lid! Several mechanical and electrical repairs, adjustment/calibration procedures and even a bit of machining on the 1961 Moore Special Tools Jig Borer later, it was fully brought back to original specifications!
The Agnew Analog Reference Instrument Type 631 is a high performance direct drive motor, designed for professional disk mastering lathes and turntables. It is usually positioned on the floor under the lathe or turntable, driving the platter directly by means of a long driveshaft, similar to the drive system of the Neumann VMS-70 and several other professional disk mastering systems.
For some reason, the people involved with the manufacturing of vinyl records are rather stoic types. The rare occasion when they are in a talkative mood, they mostly talk about the manufacturing process and equipment. They are not often talking about what happens after the records have been manufactured, the actual reproduction of these records, for pleasure or for the most critical step of manufacturing: Quality control.
What follows is the story of the restoration, modification, assembly, calibration and testing, of some components, which, if used properly, can result in a highly accurate phonograph disk reproduction system.
Meet George Vardis, a retired biologist with a Master's Degree in Food Technology, residing in Athens, Greece. George is a sophisticated man with many interests, including sailing, photography, motorbikes, and music. He plays the piano and the guitar, but his career always steered well clear of the music industry. He was never a recording artist, nor was he a recording engineer. In fact, he has probably never seen a recording studio in real life.
John Delias, the guitar wizard of the popular rock group "Naxatras", filmed J. I. Agnew while cutting the master lacquer disks, from which the vinyl records of their debut LP were manufactured, at Magnetic Fidelity, and edited the footage to produce this short informative video, offering an insight into this seldom seen, mysterious process.
By J. I. Agnew
https://www.agnewanalog.com
https://www.magneticfidelity.com
PDF Version
One might think that the whole issue of absolute polarity for a medium essentially invented around 130 years ago, would have been adequately discussed and standardised by now, leaving no room for further debates. Indeed, it has been, so why bother writing anything further on this topic?
https://www.agnewanalog.com
https://www.magneticfidelity.com
PDF version
Following the publication of my recent article, titled "Absolute Polarity for Disk Records" [1], I received encouraging feedback and requests for further information. Record enthusiasts often wonder about the dark secrets of the record production and manufacturing process, while professional mastering engineers are (or at least should be) striving to keep all their equipment in perfect working order, according to international standards. Their common goal is the best possible transfer of the sound from the performance space to the listening room. Magnetic tape is experiencing an impressive rise in popularity as a consumer medium in audiophile circles, with more albums becoming available in reels of 1/4" tape.