recording lathe (3)

A Fashionable Rek-O-Kut Lathe Cabinet

Have you ever noticed the total absence of audio equipment from the luxury houses presented in glossy architecture and interior design magazines? It makes the inhabitants of such property come across as rather uncultured.

In fact, not only is an audiophile grade sound system a minimum requirement for the home of anyone affluent enough to hire an interior designer, but it is important to choose a designer who can appreciate the aura of sophistication and intellect projected by a beautifully restored vintage disk recording lathe, set in a handcrafted custom cabinet, in a conspicuous corner of the living room!

School of Cut - Learning how to cut records at Agnew Analog

We recently had the pleasure of having Symatic over, from Bristol, UK, for a week of training on how to cut (and how not to cut) records.

Symatic runs Cut & Paste Records, a record label attracting some serious attention among skratchers, with high quality releases of skipless skratch samples, lock-groove tones, beats, and relevant music.

Lab Report: Cutter Head Mounting Adapters

In the previous episode, we had a look at taper shank stylus adapters and saw a vintage magnetic monophonic cutter head fitted to the AM44 lathe. The two are not normally compatible. Neumann lathe suspensions do not have the same mount as the suspensions of Presto, Fairchild, RCA and other lathes of the monophonic era, which were originally designed to accept such cutter heads.

But, in fact, almost any cutter head can be fitted to any lathe, as long as there is enough space for it to physically fit, by means of a suitable adapter. The eagle-eyed reader will probably have noticed that the cutter head mount on our prototype AM44 suspension is similar to, but not the same as, the mount used in Neumann suspension boxes. So, the adapter shown here was made specifically for our AM44 suspension unit.