We recently had the pleasure of having Symatic over, from Bristol, UK, for a week of training on how to cut (and how not to cut) records.
Symatic runs Cut & Paste Records, a record label attracting some serious attention among skratchers, with high quality releases of skipless skratch samples, lock-groove tones, beats, and relevant music.
Inspired by the toolposts used in metalworking lathes and improving upon the cutter head mounting system used by Neumann, the Type 6021 will accurately and rigidly hold any cutter head fitted with a suitable bar, including Neumann, Vinylium and FloKaSon heads, as well as any other head imaginable, through the use of our Series 1400 head mount adapter range.
Happy new year! Time to reveal what has been secretly developing in the lab throughout the past year: A stereophonic cutter head of an entirely unique design, invented by J. I. Agnew during his work with experimental transducers for measurement and testing purposes.
In the previous episode, we had a look at taper shank stylus adapters and saw a vintage magnetic monophonic cutter head fitted to the AM44 lathe. The two are not normally compatible. Neumann lathe suspensions do not have the same mount as the suspensions of Presto, Fairchild, RCA and other lathes of the monophonic era, which were originally designed to accept such cutter heads.
But, in fact, almost any cutter head can be fitted to any lathe, as long as there is enough space for it to physically fit, by means of a suitable adapter. The eagle-eyed reader will probably have noticed that the cutter head mount on our prototype AM44 suspension is similar to, but not the same as, the mount used in Neumann suspension boxes. So, the adapter shown here was made specifically for our AM44 suspension unit.
Stereophonic cutter heads developed by Neumann are designed to accept a cutting stylus with a conical shank, resembling a micro-miniature version of a Morse Taper, a type of fitting frequently encountered in machine tools, especially metalworking lathes. Vinylium and FloKaSon cutter heads also adopted the same fitting for the sake of compatibility. But most other cutter heads, especially all those predating the stereophonic era, used long, thin cylindrical shanks, often with a flat machined on one side, to allow a set-screw to align the stylus and secure it in place.